Pop I,Dock I, Letter, Dock II, Dot
1957 - 1962
Pop I,Dock I, Letter, Dock II, Dot
1957 - 1962
At the heart of experimental poetry, the plurality of his practices makes Roth an unclassifiable figure.
Dieter Roth frequented Eugen Gomringer's concrete poetry circles, Daniel Spoerri and Claus Bremer's Darmstadt circle, but also Hansjorg Mayer's world of typography and graphic design. Beginning in 1956, he tested the limits of Bolex cameras and recorded several Super8 films and experimental essays. He captured fleeting and chaotic snatches, scratches and signs, the raw material of images, for, in his own words, "the everyday has always preoccupied me because it is so ferocious, so horrible".
| Domain | Cinéma | Film |
|---|---|
| Techniques | Film cinématographique 16 mm couleur et noir et blanc, silencieux |
| Duration | 8 min 45 s |
| Acquisition | Achat, 1976 |
| Inventory no. | AM 1976-F0278 |
Detailed description
| Artist |
Dieter Roth
(1930, Allemagne - 1998, Suisse) |
|---|---|
| Main title | Pop I,Dock I, Letter, Dock II, Dot |
| Creation date | 1957 - 1962 |
| With | Production : Cine-video Productions inc. |
| Domain | Cinéma | Film |
| Techniques | Film cinématographique 16 mm couleur et noir et blanc, silencieux |
| Duration | 8 min 45 s |
| Acquisition | Achat, 1976 |
| Collection area | Cinéma |
| Inventory no. | AM 1976-F0278 |
By the same artist
Bibliography
Voir la notice sur le portail de la Bibliothèque Kandinsky