Le Ballet mécanique [version Kiesler]
1923 - 1924
Le Ballet mécanique [version Kiesler]
1923 - 1924
“Pictorial error is the subject. Cinematic error is the scenario.” (Léger)
The Mechanical Ballet derives its innovative force largely from the anti-lyrical flattening of the objects. This operation is conducted by means of extremely precise montage which takes the photogram and not the plan as its unit. The fragmentation thus obtained is reinforced by the use of caches and prisms that produce kaleidoscopic effects. Cubist thinking is reflected in the multiplicity of points of view for the same object and the near-constant use of close-ups.
| Domain | Cinéma | Film |
|---|---|
| Techniques | Film 35 mm noir et blanc, muet |
| Duration | 19 minutes 50 secondes |
| Acquisition | Achat, 1997 |
| Inventory no. | AM 1997-F1388 |
| Is part of the set |
Le Ballet mécanique (Dissociable set of artworks) |
On display:
Detailed description
| Artists | Fernand Léger, Dudley Murphy | |
|---|---|---|
| Main title | Le Ballet mécanique [version Kiesler] | |
| Creation date | 1923 - 1924 | |
| Is part of the set | Le Ballet mécanique (Dissociable set of artworks) 1923-1924 | |
| With | Co-réalisation : Dudley Murphy Collaboration : Man Ray Musique : Georges Antheil | |
| Domain | Cinéma | Film | |
| Techniques | Film 35 mm noir et blanc, muet | |
| Design stage | Version Kiesler | |
| Duration | 19 minutes 50 secondes | |
| Acquisition | Achat, 1997 | |
| Collection area | Cinéma | |
| Inventory no. | AM 1997-F1388 |
Bibliography
Voir la notice sur le portail de la Bibliothèque Kandinsky