Sans titre
2009
Sans titre
2009
Tatiana Trouvé is mainly known for her sculptures, but drawing is an essential part of her output and is her way of returning to what she describes as “places of reflection”, which are central to her work. In her recent graphic output, “daytime” works in the “Intranquility” series are distinct from her “night-time” drawings in the “Remanence” series to which this infinitely subtle work belongs: depending on the spectator’s perspective, recognizable shapes and places in domestic architecture are perceptible in a disturbing interplay between inside and outside, appearance and disappearance.
| Domain | Dessin |
|---|---|
| Techniques | Mine graphite, fusain, peinture acrylique et vernis sur papier |
| Dimensions | 63 x 83,5 cm |
| Acquisition | Don de la Société des Amis du Musée national d'art moderne, 2009. Projet pour l'art contemporain 2009 |
| Inventory no. | AM 2009-352 |
Detailed description
| Artist |
Tatiana Trouvé
(1968, Italie) |
|---|---|
| Main title | Sans titre |
| Series title | Rémanence |
| Creation date | 2009 |
| Domain | Dessin |
| Techniques | Mine graphite, fusain, peinture acrylique et vernis sur papier |
| Dimensions | 63 x 83,5 cm |
| Acquisition | Don de la Société des Amis du Musée national d'art moderne, 2009. Projet pour l'art contemporain 2009 |
| Collection area | Cabinet d'art graphique |
| Inventory no. | AM 2009-352 |
By the same artist
Bibliography
Fruits de la passion : La collection du Centre Pompidou : Kobe, Hyogo Prefectural Museum of Art, 18 janvier-23 mars 2014. - Paris : Centre Pompidou/Kobe : Hyogo Prefectural Museum of Art, 2014 (Cat. 23, cit. p.65, reprod. coul. p.64)
13e Biennale de Lyon : La vie moderne : Lyon, La Sucrière, 10 sept. 2015 - 3 janv. 2016.- Dijon : Les presses du réel, 2015 (cit. p. 69)