Rémanences

Apichatpong Weerasethakul, « Rémanences » (58 min) 

Windows (1999, 12 mins, DCP, colour, silent)  
A visual improvisation that seeks to capture blue reflections. 

This and a Million More Lights (2003, 1 min, DCP, colour, silent) 
The edit alternates between a boy diving, and a light turning on and off. 

A Letter to Uncle Boonmee (2009, 18 min, DCP, col., original version with French subtitles)  
Shot during location scouting for Uncle Boonmee, this letter describes the village of Nabua to the protagonist. 

Dilbar (2013, 10 min, DCP, B&W, silent)  
Portrait of a Bengali labourer working on the construction of new spaces for the Sharjah Art Foundation. 
 
On Blue (2022, 17 min, DCP, colour, silent)  
Sets slide on canvases, a woman has fallen asleep and dawn arrives.